Electronic Theatre Controls Emphasis Lighting Control System Manual de usuario descargar pdf (Pagina 131)

4 Live Editing 121

Submasters

Submasters are available on every Emphasis Facepanel. A submaster is a fader that

contains channel levels, an effect or a subroutine. Submasters can also be turned into

Supermasters. A Supermaster acts as a master fader for a number of assigned

submasters.

Submasters can contain timing, but they cannot be played back in the A/B or C/D fader

pairs. Submasters can also be activated by a cue by using a link.

Channels in submasters are treated as HTP regardless of their attribute settings, except

when the submaster contains a subroutine, or the submaster is inhibitive.

Submaster Types

There are six different submaster types. Only Pile-On and Inhibitive submasters can be

created and edited in Stage.

Pile-On

The typical submaster behaves in a pile-on manner. This means that you have created a

stage look and have recorded those channels directly to a submaster. You can also load

channel levels from a recorded cue, group or focus point into a submaster.

Inhibitive

Inhibitive submasters proportionally inhibit levels on stage for recorded channels. This is

useful for theatres using a main curtain, where you want to be able to manually inhibit front-

of-house lights from illuminating the curtain during bows, for example. If you have a channel

recorded into multiple inhibitive submasters, it will be the lowest inhibitive submaster that

determines the output for that channel.

Inhibitive submasters do not contain any channel levels. Channels recorded into an

inhibitive submaster are inhibited proportionally to their recorded level. When the inhibitive

submaster is at full, channels play back as recorded. When the inhibitive submaster is

below full, channels play back at that percentage of recorded levels. For example, you have

an inhibitive submaster at 50%, channels recorded at full will play back at 50%. When an

inhibitive submaster’s fader is at the zero position, those channels will not play back at all.

Note:

Inhibitive submasters do not affect captured channels.

Effect

Effect submasters can be created in Stage or Blind (see Blind Effects, page 149). The

advantage of working in Stage is that you can see the look of each effect step as it is

created. An effect is made up of channels at levels in steps. Steps are played back in the

effect at a given rate and in a given direction. Typically, effects will loop their steps so that

they can play continuously. In Blind, effect steps can be randomized and can be assigned

other attributes that affect their playback.

Dynamic Effects

See Create a simple dynamic effect:, page 100.

Subroutine

See Subroutines on Submasters (Subs-on-Subs), page 146.

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Electronic Theatre Controls Emphasis Lighting Control System Manual de usuario Pagina 131