
5 Blind Editing 131
Chapter 5
Blind Editing
This chapter contains information about selecting and controlling channels and fixtures for
use in a “blind” environment, where changes happen on screen only. Levels on stage are
unaffected. Blind editing is useful when making changes during rehearsals, or when you
need to see data across many cues.
This chapter contains the following sections:
• Displays. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
• Cues. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
• Subroutines. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
• Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
• Submasters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
• Groups. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
• Focus Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
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